“After 15 years in the industry, these are easily the best headshots I’ve had done. Fantastic variety, composition and style throughout.”
Truthful, true-to-you portraits for actors — photographed in London, built to look exactly like you and give casting an honest read.
To look like you — not a smoothed-over, better-lit stranger — and to tell a casting director something true in the half-second they spend on it. Everything in the session works toward that.
The person who walks into the room is the person in the photo. Same age, same energy — no surprises for the casting director, or for you.
Enough variation across the two hours that you leave with real options — a set, not a single safe frame you’re stuck with.
Casting moves quickly. A good headshot lands a clear, true impression immediately — the eyes, the expression, the read.
Natural light, real expressions. A frame casting can work from.






Headshots are a specialism, not a sideline — and actors are a large part of the work.
Ten years photographing actors — from a first professional headshot to working actors refreshing a look between jobs.
Familiar with Spotlight, agents and how casting actually reads a headshot. The brief is never a guessing game.
Not a general portrait session adapted for actors — a session built around how casting actually reads a headshot.
An unhurried, conversational session. You don’t need to perform for the camera — that’s rather the point.
A two-hour studio session at Belsize Park — enough time to settle in, work through a few looks, and find the frames that actually feel like you.
It’s a collaboration, and mostly a conversation. There’s clear direction when you want it and space when you don’t — and if the camera makes you self-conscious, you’ll be guided closely the whole way. Afterwards you review everything in a private gallery and choose your final images.



Two hours · three retouched images · book online in a couple of clicks.
Book a sessionExtra retouched image — £50
You don’t need to act out characters. The variety comes from a few considered changes — a shift in layer, colour or expression that opens up a different read — while every frame still looks unmistakably like you.
Bring a handful of tops in plain, mid-tone colours, with a couple of layering options. The aim is a set that works across Spotlight, your agent’s site and casting profiles — not a folder of near-identical shots.




The least useful headshot is one that looks nothing like you in the room — over-retouched, over-lit, or a decade too young. It wins the meeting and loses it in the same breath.
So the work here stays honest. Skin is kept real, age is kept accurate, and the expression is one a casting director would recognise the second you walk in. The goal isn’t the most flattering photo — it’s the most useful one.
From first headshots to working actors — the same calm, collaborative session.
“After 15 years in the industry, these are easily the best headshots I’ve had done. Fantastic variety, composition and style throughout.”
“Cam instantly put me at ease and captured a range of shots that genuinely felt like me. My agent absolutely loved the final headshots.”
“A relaxed and professional experience with fantastic results. Both I and my representatives were genuinely thrilled with the final shots.”
“Probably the first time I’ve looked at headshots and truly believed they looked like me. Relaxed, focused and an amazing experience throughout.”
“Cam made me feel completely comfortable throughout the shoot. Seeing these photos felt empowering — they finally felt like the real me.”
Member of the Association of Professional Headshot Photographers — held to a published standard of craft, consistency and conduct that relatively few UK photographers meet.
A wider selection of recent actor headshots — filter by men and women, and view any frame full screen.








The session covers what most actors need. A few extras are there if your situation calls for them.
Add extra retouched images from your gallery at any point after the session — £50 each, no deadline.
Ten fully retouched final images instead of three — a complete, working portfolio from a single session.
Files back within 48 hours if you have a submission or audition that can’t wait. Ask when booking.
A handful of plain tops in mid-tone colours, plus a couple of layers — jackets, knits, a shirt. Skip loud logos and busy patterns. Think necklines and colours that suit the roles you’re realistically up for, and we’ll choose together on the day.
Two hours in the studio — unhurried by design. That’s comfortable time for two or three distinct looks, with wardrobe and expression changes in between.
Three fully retouched final images. Additional retouched images are £50 each, and you can add them any time after reviewing your gallery.
Not at all — it’s how most actors feel walking in, working actors included. The session is calm and closely guided. You don’t need to know what to do in front of the camera; the direction handles that.
Yes. Final images are framed and sized for Spotlight, agents’ sites and casting profiles, and delivered ready to upload — no extra cropping or resizing needed.
Belsize Park, London NW3 — a few minutes from the Tube. Sessions are studio-based, with controlled, natural-looking light.
You’ll review every usable frame in a private online gallery shortly after the session. Once you’ve chosen, retouched final images are delivered in around a week.
Book a two-hour studio session online, or take a look at the full gallery first. Either way: a calm, collaborative session, and a set of honest portraits you can send anywhere.